PreSonus - [STUDIOLIVE 24.4.2] Mixer digitale 24 canali con effetti e Firewire

Descrizione:
Una volta entrato in contatto con StudioLive non tornerai mai a nessun altro mixer "vecchia scuola". Con la sua incredibile potenza di elaborazione audio su ogni canale, la facile procedura di memorizzazione e richiamo delle impostazioni e la possibilità di registrare il tutto con due semplici click del mouse, verrai immediatamente catturato!
Più semplice da utilizzare, caratterizzato da un suono migliore e perfettamente integrato con un software allo stato dell'arte, fornisce il miglior contesto creativo sia per esibizioni live che per l'utilizzo in studio.

StudioLive non è semplicemente una console, bensì una famiglia, in rapida crescita, di mixer allo "stato dell'arte"; un sistema integrato hardware/software che fornisce tutte le caratteristiche necessarie per la realizzazione di suoni live, registrazioni live ed in studio.
StudioLive 24.4.2 è una buona scelta da prendere in considerazione per il missaggio di piccoli o grandi spettacoli e funzioni religiose, ma è un'ottima scelta per le associazioni, le aziende e le istituzioni educative. E' rappresenta la scheda audio ideale all'interno di un Project Studio.

All'interno dello stesso dispositivo troviamo 24 preamplificatori microfonici XMAX, una scheda audio FireWire, più di 90 processori di segnale, una vasta libreria di effetti DSP, 10 mandate ausiliarie, 4 sub-gruppi, LED metering esteso per un immediato feedback visivo, funzione di salvataggio e richiamo delle scene di mix, funzione di salvataggio e richiamo delle scene per i singoli canali, funzioni di copia/incolla tra i canali, talkback, ecc... Nonostante i molteplici controlli e le sue dotazioni, il mixer rimane compatto e facile da trasportare.

Registra e migliora la performance grazie a StudioLive 24.4.2. Diventa creativo in studio. Crea loop, effetti sonori e molto altro, poi portali dal vivo ed inseriscili all'interno dell'esecuzione live.
Processate i vostri canali usando i vostri plug-in preferiti e automatizzate completamente la vostra esecuzione.
StudioLive 24.4.2 rivoluziona la produzione musicale, aprendo illimitate possibilità creative.

Scheda tecnica:

• 24  mic/line inputs with high-headroom Class A XMAX™  mic preamplifiers
• 4  subgroups
• Stereo/mono  main out
• 10  auxiliary mixes
• 32-in/26-out  FireWire digital recording ­interface (24-bit/44.1  kHz and 48 kHz)
• Studio  One Artist Digital Audio Workstation software  for Mac™ and PC
• Capture™ 1.1 recording     software for Mac™ and PC
• Direct  recording interface compatible     with Logic®, Nuendo, Cubase, Sonar™,     Digital Performer™, Ableton™ Live, and more
• 24  channel strips
• Trim  control with –20 to +20 dBV line/-15 to +65 dBu mic gain range (80dB!)
• +48V  phantom power switch for condenser microphones
• FireWire  Input Select
• 100  mm precision faders
• Lighted  Solo and Mute buttons
• Access  to Fat Channel functions
• 15-LED  ladder metering + clip LED
• Analog  ¼" insert (rear panel)
• 4  subgroup buses, each with:   
  • Solo   
  • Mute   
  • Access to Fat Channel functions (except       high-pass filter and phase reverse)
• 10  aux sends, each with   
  • Solo   
  • Pre/post-fader send   
  • Output-level control   
  • Access to Fat Channel functions (except phase  reverse)   
  • Mix and Mix/Pan Fat Channel metering   
  • Available sources:  24 input channels, Aux A and B, Tape Input,  Talkback
• 2  internal effects sends, each with:   
  • Mute   
  • Pre/post-fader send   
  • Output-level control   
  • Access to Fat Channel (except phase reverse)   
  • Effects-send Select for Fat Channel metering   
  • Mix button for aux-bus mixing and Fat Channel  metering
• Master  Section   
  • Aux Input A and B   
  • Level Control and Select (Fat Channel ­metering)  switch   
  • Access to all Fat Channel functions       (except phase reverse)   
  • Talkback System          
    • Mic  Level control       
    • Output  Select ( Aux 1-2, 3-6, 7-10, Main)       
    • Talk  button       
    • Rear-panel  XLR mic input with level control and continuous 48V phantom power   
  • 2 Track In          
    • Level  control       
    • Tape  Input to Mains button       
    • FireWire  source on/off   
  • Solo Bus          
    • Cue  Mix volume control       
    • PFL/AFL  and Solo In Place (SIP) buttons   
  • Monitor Bus          
    • Headphone-output  level control       
    • Control-room  monitor-level control       
    • Solo  Bus to Monitor button       
    • Tape  Input to Monitor button       
    • Main  L/R FireWire Return to Monitor button       
    • Main  Mix to Monitor button   
• Fat  Channel with rotary encoders:   
  • Pan with dedicated 15-LED display   
  • Stereo link for input channels, aux buses, and  subgroups   
  • Phase reverse (main channels only)   
  • High-pass filter: 6 dB/oct., sweepable from Off  to 1 kHz (main channels and aux’s only)   
  • 4-band fully parametric equalizer          
    • Low  EQ: sweepable from 36 Hz to 465 Hz, ±15 dB, switchable shelf or peaking       
    • Low  Mid EQ: sweepable from 90 Hz to 1.2 kHz, ±15 dB, variable Q 0.1 to 4.0       
    • High  Mid EQ: sweepable from 380 Hz to 5 kHz, ±15 dB, variable Q 0.1 to 4.0       
    • High  EQ: sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peaking       
    • Master  EQ On/Off button   
  • Gate: Threshold: 0 to –84 dB, Attack: 0.02 to  500 ms, Release: 0.05 to 2 sec, Bandpass Key Filter: 40 Hz to 16 kHz,  second-order resonant bandpass filter Q (0.7) with Key Listen function   
  • Compressor: Threshold,-56 to 0 dB; Ratio 1:1 to  14:1, LIM=∞:1; Attack 0.2 to 150 ms; Release 2.5 to 900 ms; Makeup Gain 0 to 28  dB; Soft Knee switch; Auto Mode with 10 ms Attack and 150 ms Release   
  • Limiter: variable Threshold -28 dBfs to 0, ∞:1  Ratio   
  • Output Assign: 4 subgroups and main with  post-EQ/post-dynamics option   
  • All settings can be copied among channels and  saved as user presets.   
  • 50 channel-strip presets for drums, bass,  guitars, keyboards, and vocals
• 2  internal digital effects-processors, each with 50  customizable reverb and delay presets   
  • 31-band graphic equalizers          
    • Assignable  in four stereo pairs       
    • Mono  or stereo operation       
    • Main  outputs, aux outputs, subgroup outputs   
  • Scene Store and Recall   
  • Global Scene Storage: all current StudioLive  settings          
    • Up  to 80 at a time   
  • Automatic Global AutoStore   
  • Individual channel-strip Scene storage          
    • Up  to 48 at a time, plus…       
    • 50  factory presets for instruments and vocal   
  • Copy and Paste between channels   
  • Customizable naming (for example, “Saturday Gig” or “Main Worship Service”)   
  • Lockout mode to keep inspired amateurs from  changing your settings
• Metering/Displays   
  • 24 x 16- LED Fat Channel matrix:          
    • Pre-dynamics/pre-fader  input       
    • Post-dynamics/post-fader  output       
    • Gain  reduction       
    • Aux  1-10 and EFX A/B output       
    • Fader-position  recall   
  • 8 x 15-LED main meter bank          
    • Selected  channel level       
    • Selected  channel gain reduction       
    • Sub  buses 1 to 4       
    • Main  stereo outputs   
  • 15-LED horizontal Pan/Balance display   
  • 64 x 194 LCD matrix          
    • Effects parameters       
    • Scene  creation, storage, and recall       
    • System  menus   
  • 2-digit Channel Selected display
• Input/Output   
  • 24 main inputs, each with XLR mic, ¼" line, and ¼" inserts   
  • 2 ¼" stereo  (L/R) aux inputs   
  • 1 XLR talkback-mic input with phantom power and  level control   
  • Unbalanced RCA stereo (L/R) tape inputs and  outputs   
  • XLR stereo (L/R) main outputs with level control   
  • ¼" stereo  (L/R) main outputs   
  • XLR mono output with level control   
  • ¼" stereo  (L/R) control-room outputs   
  • ¼" Headphone  output   
  • 4 ¼" subgroup  outputs   
  • 10  ¼" aux outputs   
  • 24 pre-insert, balanced direct outputs, Ch. 1-8,  9-16, 17-24 (DB25 sockets) S/PDIF digital out   
  • 2 FireWire 400 ports
• Digitalia   
  • High-definition analog-to-digital converters (118  dB dynamic range)   
  • Unlimited-headroom, 32-bit floating point,  digital mixing and effects processing   
  • Internal sample frequency 44.1 kHz and 48 kHz
• Physical   
  • Rugged, non-flex steel chassis   
  • 100 mm long-throw faders   
  • Military-grade, quick-touch buttons   
  • BNC 12V lamp socket   
  • Optional dust covers available

Specifiche tecniche

Microphone Preamp 1-24 (XLR Balanced)
Type XLR Female, Balanced
Frequency Response to Direct Output 20 Hz to 40 kHz ±0.5dBu
Frequency Response to Main Output 20 Hz to 20 kHz ±0.5dBu
Input Impedance (Balanced) 1K Ohm
THD to Direct Output     EIN to Direct Output +125 dB unwtd,, +130 dB A-wtd
S/N Ratio to Direct Output -97 dB
S/N Ratio to Main Output -94 dB
Common Mode Rejection Ratio +65 dB
Gain Control Range -16 dB to +67 dB (+/- 1 dB)
Maximum Input Level (unity gain) +16 dBu
Phantom Power +48 VDC

Line Inputs
Type 1/4" TRS Female, balanced mono
Frequency Response to Direct Outputs 10-40 kHz, 0 / -0.5 dBu
Frequency Response to Main Outputs 20-20 kHz, +/- 0.5 dBu
Input Impedance 10 kΩ
THD to Direct Output     THD to Main Output     S/N Ratio to Direct Output -105 dB
S/N Ratio to Main Output -94 dB
Gain Control Range -20 dB to +20 dB (+/- 1 dB)
Maximum Input level (unity gain) +22 dBu

Tape Inputs
Type 1/4” TRS Female, balanced mono
Maximum Input Level +10 dBu

Auxiliary Inputs
Type 1/4” TRS Female, balanced (2 stereo pairs)
Maximum Input Level +22 dBu

Main Outputs
Type Male, balanced (stereo pair); 1/4” TRS Female, balanced (stereo pair); XLR Male, balanced (mono)
Rated Output Level +24 dBu
Output Impedance 10 kΩ

Aux Outputs
Type 1/4” TRS Female, balanced (mono)
Rated Output Level +18 dBu
Output Impedance 51 Ω

Subgroup Outputs
Type 1/4” TRS Female, balanced (mono)
Rated Output Level +18 dBu
Output Impedance 51 Ω

Tape Outputs
Type RCA Female, unbalanced (stereo pair)
Rated Output Level +18 dBu
Output Impedance 100 Ω
Control Room Outputs
Type 1/4” TRS Female, balanced (stereo pair)
Rated Output Level +18 dBu
Output Impedance 51 Ω

System Cross Talk
Input to Output -90 dBu
Adjacent Channels -87 dBu

Noise Gate / Expander
Key Listen Filter () 2nd order resonant bypass; Q=0.7; OFF, 40Hz-16kHz
Threshold Range -84 dB to 0 dB
Gate Attenuation Range -84 dB to 0 dB
Attack Time 0.02s to 500ms
Release Time 0.05s to 2s
Expander Attenuation Range 2:1

Limiter
Threshold -28dBFS
Ratio ∞ :1
Attack 20ns
Hold 10ms
Release 20ms

Compressor
Threshold Range -56 dB to 0 dB
Ratio 1:1 to 14:1
Attack Time 0.2 ms to 150 ms
Release Time 40 ms to 1000 ms
Auto Attack and Release Attack = 10 ms, Release = 150 ms
Curve Types hard and soft knee

EQ
Type 2nd order shelving filter (Q = 0.55)
Q 0.1 to 4
Low (Lowpass or Bandpass) 36 to 465 Hz, ± 15 dB
Low Mid 90 Hz to 1.2 kHz, ±15 dB
High Mid 380 Hz to 5 kHz, ±15 dB
High (Highpass or Bandpass) 1.4 kHz to 18 kHz, ±15 dB

Graphic EQ
31- Band 1/3rd Octave Controls Curve-fitting algorithm
Gain/Attenuation ±15 dB

Digital Audio
ADC Dynamic Range (A-wtd, 48 kHz) 118 dB
DAC Dynamic Range (A-wtd, 48 kHz) 118 dB
FireWire S400, 400Mb/s
Internal Processing 32-bit, floating point
Sampling Rate 44.1, 48 kHz
A/D/A Bit Depth 24
Reference Level for 0 dBFS -18 dBu

Clock
Jitter     Jitter Attenuation >60 dB (1 ns in ≈ 1 ps out)

Power/Environmental
Connector IEC
Input-Voltage Range 100 to 240 V~, 50-60Hz
Power Requirements (continuous) 100 W
Temperature Range 0 - 40 degrees celsius

Physical
Length 22.35 inches (568.06 mm)
Width (chassis only) 17.22 inches (437.40 mm)
Width (with rack ears) 19 inches (482.60 mm)
Maximum Height 6.90 inches (175.26 mm)
Weight 23 lbs.

Requisiti di sistema

Windows

• OS: Microsoft Windows XP, Windows Vista, Windows 7 (32 e 64 bit)
• CPU/Clock: Intel Pentium 4 1.6 GHz processor or AMD Athlon 64 (Turion) (2.5 GHz or faster recommended)
• Memory(RAM): 2 GB (more recommended)

Macintosh

• OS: MacOS X 10.5.2 or late
• CPU/Clock: PowerPC G4 1.25 GHz or Intel Core Solo 1.5 GHz processor (2 GHz or faster recommended)
• Memory(RAM): 2 GB (more recommended)

Windows and Macintosh Systems

• IEEE 1394 FireWire 400 Port
• Internal or external 7200 RPM storage drive highly recommended